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In his process, Sato marries the duality of his life with his formal training. His greatest influences; Diebenkorn, Park, Avery, coalesce with his knowledge of traditional Japanese methods, theories and compositional philosophies. Sato has no preference for either ideology of picture making, therefore they become a tool to further fictionalize the already dubious accuracy of what is being depicted.
About the Artist
Hiroshi Sato was born in Japan in 1987. He spent his childhood in Tanzania but returned to Japan for secondary school. His work has been featured in Visual Art Source and Juxtapoz Magazine. He was most recently Artist in Residence at the Cheekwood in Nashville, TN. His work is in public collections including Cheekwood and Ionis Pharmaceuticals. He has shown extensively across the US and UK.
In his process, Sato marries the duality of his life with his formal training. His greatest influences; Diebenkorn, Park, Avery, coalesce with his knowledge of traditional Japanese methods, theories and compositional philosophies. Sato has no preference for either ideology of picture making, therefore they become a tool to further fictionalize the already dubious accuracy of what is being depicted.
About the Artist
Hiroshi Sato was born in Japan in 1987. He spent his childhood in Tanzania but returned to Japan for secondary school. His work has been featured in Visual Art Source and Juxtapoz Magazine. He was most recently Artist in Residence at the Cheekwood in Nashville, TN. His work is in public collections including Cheekwood and Ionis Pharmaceuticals. He has shown extensively across the US and UK.
Mulch Mounds
42×120”, oil on canvas
Whistlers
44×44”, oil on canvas, 2026
Panel 55
30×40”, oil on canvas
The Art Department
30×80”, oil on canvas
Sunset Lookers
64×70”, oil on canvas, 2025
If You Know, You Know
50×64”, oil on canvas, 2025
Parakeet
56×54”, oil on canvas, 2025
Shirts
34×44”, oil on canvas
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